
It’s Our Thing | Chez
June 26, 2017Watch graffiti artist Chez transform the metal seat in front of Blacktown Arts Centre as part of our current exhibition 'It's Our Thing: More History on Australian Hip-Hop (Part II)'.
Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.
We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.
Credit to: Dharug woman Rhiannon Wright, daughter of Leanne ‘Mulgo’ Watson Redpath and granddaughter of Aunty Edna Watson
Watch graffiti artist Chez transform the metal seat in front of Blacktown Arts Centre as part of our current exhibition 'It's Our Thing: More History on Australian Hip-Hop (Part II)'.
Our pop-up barbershop has closed, and we have said farewell to Charles and The Original 5, but you can find him working from his actual garage barbershop, or read our interview with Charles and Kiko on barbershop culture and lifestyle.
Western Sydney’s strong influence on the development of Australian hip-hop is showcased in our latest exhibition 'It’s Our Thing: More History on Australian Hip-Hop (Part II)' (22 June to 12 August 2017).
Our colleagues across the ditch at Auckland Art Gallery Toi o Tāmaki invited local artists of Pacific heritage to offer a counter-narrative to the themes of their current exhibition ‘The Body Laid Bare: Masterpieces from Tate'. The result is ‘Pacific Bodies’.
Local musician Kealoana is a regular at the Western Sydney Jam Session with her trio, The Top Deck Band, and was recently awarded a 2017 Blacktown City Council Creative Arts Fund grant.
NAIDOC (National Aboriginal and Islander Day Observance Committee) Week is a time of remembrance and celebration for Aboriginal and Torres Strait Islander people that has its origins in early Aboriginal activism.
In 2016, Raymond Hand-Simms took to the stage at Blacktown's annual NAIDOC week celebrations and won the young talent contest. This year, he returns as part of the official performance line-up.
20 local artists and community organisations can create new artwork, make original music and develop their creative skills with funding assistance through the Blacktown City Council 2017 Creative Arts Fund.
Produced by Urban Theatre Projects, The Folding Wife looks at an intergenerational struggle between three Filipina women - a grandmother, mother and daughter. Written by Paschal Daantos Berry and directed by Deborah Pollard.
We look back at the 2013 exhibition 'The Native Institute' based on the history of the Blacktown Native Institution, featuring artists Daniel Boyd, r e a, Robyn Caughlan, Karla Dickens, Leanne Tobin and Jason Wing.
In 2015, Tina Barahanos was an artist-in-residence at the Main Street Studios, Blacktown. Two years on, we caught up with Tina to reflect on her experience of the program.
Visual artist Rhonda Dee is about to begin her residency at the Main Street Studios. We caught up with Rhonda to talk about the major themes of her practice, and the project she’ll be undertaking during her time in Blacktown.