The Leo Kelly Blacktown Arts Centre
An innovative multi-arts hub in the heart of Blacktown City.
Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.
We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.
• Chez • Dan Kyle • Garry Trinh • George Tillianakis • Jason Wing • Leo Tanoi
• MC Trey • Mini Graff • Mistery • Prins aka Haro • Rose • Spice • Umph • Unique
Western Sydney’s strong influence on the development of Australian hip-hop is showcased in It’s Our Thing: More History on Australian Hip-Hop (Part II), at Blacktown Arts from 22 June 2017 to 12 August 2017.
Fourteen artists present works both inside and outside Blacktown Arts Centre, exploring the explosion of hip-hop culture in Blacktown during the 1990s, and its impact on current artistic practices.
“The history of Australian hip-hop is firmly ingrained in the streets of Blacktown,” Mayor of Blacktown City, Councillor Stephen Bali said.
“This exhibition celebrates that legacy and its profound influence on Australian art and music culture.”
In the 1990s, Blacktown was home to Western Sydney’s first artist-run initiative, Street Level, led by graduates from the University of Western Sydney (now Western Sydney University) and the College of Fine Arts.
Curated by Kon Gouriotis and Paul Howard, It’s Our Thing (Part II) features some of the original graffiti artists and visual artists active during at that time.
“The hip-hop movement in Australia, like that in America, was a form of expression by people outside the mainstream of fine arts and music,” Mr Gouriotis said.
“Street Level was significant because the works that emerged embodied the signature and tone of a distinctly Australian hip-hop voice that continues to resonate.”
The exhibition includes performances, paintings, graffiti (both at the Centre and throughout the Blacktown CBD), video displays of female hip-hop performers from the 90s to now, and a rare original piece by visual artist Unique, last displayed in 1992.
KEY DATES
Exhibition | Thursday, 22 June – Saturday, 12 August
Exhibition Opening | 6 pm – 7.30 pm on Thursday, 22 June 2017