
The Leo Kelly Blacktown Arts Centre
The Leo Kelly Blacktown Arts Centre is closed.
Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.
We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.
Credit to: Dharug woman Rhiannon Wright, daughter of Leanne ‘Mulgo’ Watson Redpath and granddaughter of Aunty Edna Watson
Blacktown Arts Our Collections Blacktown City Art Collection Search the Collection Collection Details
Name/TitleI <3 Syd
About this objectArtist statement
''My painting explores exaggerated and self-conceptualised self-portraiture in a way that considers arranging the self, objects and landscapes in a way that is carnivalesque.
'The idea of the carnival liberates individuals from the constraints of everyday life, allowing for a fluid exchange of identities and roles. This idea resonates deeply with the diasporic experience, where identity is often fragmented and multifaceted.
'I am interested in the way that patterns travel across time and space and have spiritual meaning or idiosyncratic ones. Scattered in my work are patterns from Han Dynasty tombstones, the Sydney skyline, and imagery from Chinese mythology.'
Jacquie Meng (b.1998, Hangzhou) works with painting, sound, and installation. Her work redefines diasporic cultural identity beyond national and geographical specificities, rather seeing it as unfixed. Through consideration of post-humanism, performativity, and the migration of objects and imagery between cultures, Meng explores the ways that identity can be reflected beyond the body: it can be revealed through objects, patterns, chance encounters, idiosyncrasies, as well as through embedded cultural and social practices. She makes paintings of her surroundings through a speculative lens, collapsing time and space, changing the experience of observation into one of invention, referencing mythologies and personal truths and fictions. Through this, She highlights the uncanniness of the everyday and reflects on the strangeness of identity politics.
MakerMeng, Jacquie
Maker RoleArtist
Date Made2024
Medium and MaterialsOil paint on canvas
Place MadeWaverley, NSW
TechniquePainted
MeasurementsImage: 780 h x 780 w mm
Subject and Association KeywordsPainting
Subject and Association DescriptionThe artwork was highly commended in the 2025 Blacktown City Art Prize.
Named CollectionBlacktown City Art Collection
Credit Line© Jacqui Meng
Acquired 2025 Blacktown City Art Prize exhibition
Blacktown City Art Collection
Photo: silversalt Photography
Object TypePainting
Object numberBCC MEG 001

The Leo Kelly Blacktown Arts Centre is closed.

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