
The Leo Kelly Blacktown Arts Centre
The Leo Kelly Blacktown Arts Centre is closed.
Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.
We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.
Credit to: Dharug woman Rhiannon Wright, daughter of Leanne ‘Mulgo’ Watson Redpath and granddaughter of Aunty Edna Watson
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Name/TitleMiss Placed
About this objectThe artist known as Mini Graff was born in 1974 in Hamilton, New Zealand and attended high school in Kerikeri, and Massey University in Wellington. Living in Sydney since 2000, she has a masters degree from the National Art School, Sydney. As well as appearing in unsanctioned public spaces, Mini Graff’s work has been shown in touring exhibitions across Australia, including the National Gallery of Australia touring exhibition Space Invaders, and is held in collections including the Art Gallery of South Australia, the Australian National Library, UQ Museum and the State Library of Victoria.
For two decades Mini Graff’s vivid satirical posters and stencils have appeared fleetingly on street walls, signage and urban objects. They operate intentionally outside the narrative structures of art institutional conventions, and often reference Hip-Hop culture, protest movements and public claims to the privatisation of city spaces. Both the Not Commercial series (2016-2017) and Equality series (2014-2017) respond to these issues.
In an age of computerised and digitised image-making, Mini Graff’s practice is distinctive for its artisanal nature. Her work is produced through hand-cut stencils and Letraset typeface, which are then transferred to paper, stickers, or surfaces by screen printing and spray painting. Parody, humour, and social commentary are common themes in her work. This combination - hand-made technique with telling content - aligns Mini Graff’s work with pan-twentieth century traditions of the use of montage, agitprop graphics and political protest slogans in socially aware art.
Mini Graff’s new work for It’s Our Thing Part II included a large street banner and a site-specific paste-up, titled 'Miss Placed', applied directly to the shipping container housing the Garage Graphix archive: the posters and equipment from the community-owned visual arts organisation in Blacktown, Garage Graphix Community Arts Inc. Garage Graphix, based in Mount Druitt from 1981-1998, was significant in the development of Australian street art.
MakerMurray, Wendy
Date Made2017
Medium and MaterialsAcrylic screen-printing ink on 90gsm litho paper
Place MadeOceania, Australia, New South Wales, Sydney
Measurements102 h x 73 w cm
Named CollectionBlacktown City Art Collection
Credit Line© Wendy Murray
Acquired 2017, 'Its Our Thing: More on Australian Hip-Hop Part II' exhibition, The Leo Kelly Blacktown Arts Centre.
Photo: Michael Corridore
Object TypeScreenprint
Object numberBCC MRY 001

The Leo Kelly Blacktown Arts Centre is closed.

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