
The Leo Kelly Blacktown Arts Centre
The Leo Kelly Blacktown Arts Centre is closed.
Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.
We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.
Credit to: Dharug woman Rhiannon Wright, daughter of Leanne ‘Mulgo’ Watson Redpath and granddaughter of Aunty Edna Watson
Blacktown Arts Our Collections Blacktown City Art Collection Search the Collection Collection Details
Name/TitleRiver Matriarch
About this object'The resurgence of female matriarchy is upon us. River Matriarch is inspired by Aboriginal female ancestors who have and are continuing the fight, still. The image was drawn in nature sitting, listening, watching, slowing down and letting nature guide the story. My imagery is inspired from seeds, nuts, plants, medicine and then burnt onto native Australian wood. This process is a nod to ancient cultural practices such as firestick farming and (punu) wood burning techniques symbolising regeneration. The delicate nature of these works speaks to the current ecocide of nature reminding us all to care for nature, waterways and female spirits. The current state of our Mother Earth is indicative of the lack of care she has been given post Aboriginal Australia.
My work references the natural world and examine the intergenerational stress and trauma caused by poor water and air quality. My work explores ancient Aboriginal cultural practices and sustainable development successfully practiced by the oldest and most sophisticated culture in the world and is a call and response to individual accountability especially the Australian government. White man has ruled this country for 251 years and it has been detrimental to the health of this country and Aboriginal culture.
I also use this new work to explore the intergenerational stress and trauma that is carried and passed on through generations. Black females are often underrepresented and undervalued even though they are the backbone to ancient and contemporary cultures since the beginning of time.
Women are still considered minority groups despite the fact we are the givers of life, the carers, the mothers the mother of all the earth. Without women there is no life. Without water there is no life. Ultimately my work is about the regeneration of country, culture and women.'
Maddison Gibbs, artist statement
MakerGibbs, Maddison
Maker RoleArtist
Date Made2021
Medium and MaterialsWood, acrylic, metal and LED light
Place MadeOceania, Australia
Techniquesculpted
Measurements119 h x 37 w x 5 d cm
Named CollectionBlacktown City Art Collection
Credit Line© Maddison Gibbs
Acquired 2021, Blacktown City Art Prize exhibition
Object TypeSculpture
Object numberBCC GBS 001

The Leo Kelly Blacktown Arts Centre is closed.

Blacktown Arts supports artists through annual opportunities across prizes, exhibitions, funding opportunities, and studio spaces for local creatives.

Explore Blacktown City’s rich arts and cultural collections.

Blacktown City’s annual acquisitive art prize open to artists across Australia, with a prize pool of over $23,500.
The Blacktown Arts website is not compatible with Internet Explorer. Please use a modern browser such as Chrome, Firefox, Edge, or Safari for the best experience.
