Acknowledgement of Country


Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.


We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.

kanalaritja: An Unbroken String | A Reflection

Genevieve Stewart is a Kuku Yalanji woman and is studying a Bachelor in Design Animation at the University of Technology Sydney (UTS). She is currently undertaking an internship with Solid Ground and we asked her to respond to the kanalaritja: An Unbroken String exhibition.


My understanding of the exhibition was more than just the shell stringing, it was about women who were finding themselves and their cultural identity that their mothers and grandmothers weren’t allowed to practice when they were growing up on a mission. Some of the women who were featured in the documentary admitted to not knowing the practice until later in life. Through the exhibition I learnt more about the importance of culture and its recovery.

black pen drawing of two women in dresses string shells“Lost and Found”

The two fictional women in the illustration are from the colonial period of the Stolen Generations. They both left their missions to return back to country and practice their culture by collecting shells in the ocean without caring that their colonial dresses were getting wet and dirty. I thought it would be ironic to use a style that is similar to a colonial etching, but here is used to empower Aboriginal people.

black pen drawing of two pairs of hands holding a string of shells“Past and Present”

The hands in the dark represent the older generation who almost had to stop their cultural practice of shell stringing. The hands are almost fading away into the darkness, but in the light there is another pair of solid hands. These hands represent the present and how the shell stringing practice is passed on and staying strong.

black pen drawing of a shell necklace with black and white alternating shells and a close up of a black shell and a white shell next to it.“Virtual Bracelet”

I was learning how to shell string using a virtual bracelet. The two shells that stuck out to me were the Black Crows and the Cockles. Traditionally the Black Crows are strung in pairs, however I wasn’t aware of this fact when I strung them along.

By Genevieve Stewart

Connect with Genevieve Stewart

Instagram: @genevieve_antoinette

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