Acknowledgement of Country

Dharug

Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.

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English

We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.

Credit to: Dharug woman Rhiannon Wright, daughter of Leanne ‘Mulgo’ Watson Redpath and granddaughter of Aunty Edna Watson

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Raw Records: Materials in Practice gathers the work of contemporary artists who reflect on materiality in their art and making practices.

This exhibition presents female voices from the Blacktown City Art Collection that intricately and strategically pull together traditional, natural, industrial, and found mediums. These artworks attend to materials and processes as means to document, unravel, or conceal meaning.

Featuring work by Maddison Gibbs, Virginia Keft, Jayne Christian, Paula Do Prado, Simryn Gill and more.

Raw Records is guest-curated by Annie Areum Shin, with mentorship by Tian Zhang.

Curator Statement

 

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Bios

Annie Areum Shin (she/ her) is an emerging Korean-Australian artist based on Darug Country, Sydney. Her practice employs an ‘art for my sake’ approach to realise and elucidate the psychological processes and frameworks that underlie her aesthetical choices and mental state.

Through artmaking, she turns to queries of angst and internalisations, implications of applied psychology and fragments of the self that were birthed from them. Her focus on material exploration, abstraction and collage across painting, sculpture and installation allow mimicry of her mental space and the dialogues that unfold within. In undertaking this curatorial project, she aims to further her understanding and investigation of materiality in her practice.

Shin recently completed her BFA and BSc at the University of New South Wales, and is currently completing a Masters in Clinical Psychology at the Australian Catholic University. Her practice stems from the convergence of these two disciplines. Shin has been awarded the Local Artist award for the Blacktown City Art Prize and exhibited across Sydney in group shows at the Art Gallery of New South Wales, UNSW Galleries, Kudos Gallery and The Leo Kelly Blacktown Arts Centre. Her ceramic work has been acquired by Blacktown City Council.

This project is presented by Blacktown Arts supported by Blacktown City Council and the NSW Government through Create NSW.

Image Credits:

Image: Annie Areum Shin, courtesy the artist

 

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