Acknowledgement of Country

Dharug

Bayadyinyang budyari Dharug yiyura Dharug Ngurra.
Bayady’u budyari Dharug Warunggadgu baranyiin barribugu.
Bayady’u budyari wagulgu yiyuragu Ngurra bimalgu Blacktown City. Flannel flowers dyurali bulbuwul.
Yanmannyang mudayi Dharug Ngurrawa. Walama ngyini budbud dali Dharug Ngurra Dharug yiyura baranyiin barribugu.

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English

We acknowledge the Traditional Custodians of this Land, the Dharug people, and their continued connection to Country.
We pay our respects to Elders from yesterday to tomorrow.
We extend that respect to all Aboriginal and Torres Strait Islander Peoples of Blacktown City where the flannel flowers still grow proud and strong.
We will walk softly on this land and open our hearts to Country as the Dharug people have for tens of thousands of years.

Credit to: Dharug woman Rhiannon Wright, daughter of Leanne ‘Mulgo’ Watson Redpath and granddaughter of Aunty Edna Watson

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Please join us at The Leo Kelly Blacktown Arts Centre for the final public program that celebrates Morgan Hogg’s exhibition, The last coconut drifted.

Reading Oceania is a reading group led by a think tank collective of artists who take refuge in the practice of developing OceaniaX Oratory: the explorative art of Oceanic talk, enacting design and non-design towards collective self-determination beyond survival, in the face of climate change and globalised cultures.

Reading Oceania began as a lounge room practice imagined and curated by the late Sēini Taumoepeau, it follows a ‘come as you are’ and ‘one-as-many’ methodology with philosophical influences from both HipHop and Oceanic cultures.

Held at The Leo Kelly Blacktown Arts Centre, the program is led by Talei Luscia Mangioni and Paris Taia who will share texts that explore connectedness within Pacific culture. Artist Morgan Hogg will join the program online.

Free to attend.
Registration is required. Participants can also join online if not able to attend in person, please let us know when registering.

All are welcome.

 

Bios

Paris Taia is a horticulturalist and artist whose use of plants responds to stories of seed migration, cultural usage and an understanding of the environmental conditions needed for species to thrive. Her material garden practice is informed by horticultural investigations and Pacific Islands flora and building materials which act as entry points for exploration into familial histories.

Talei Luscia Mangioni is a Pacific Studies PhD candidate in the Department of Gender, Media and Cultural Studies, School of Culture, History & Language at the Australian National University. She is of Fijian/Italian descent and lives and works between unceded Gadigal Land of the Eora Nation and Ngunnawal, Ngunawal, Ngambri Lands. Her PhD research by creative works examines the creative and critical legacies of the Nuclear Free and Independent Pacific movement from the 1970s onwards.

Talei is a committed Pacific Studies teacher who has both convened, guest-lectured and tutored in many ANU Pacific Studies courses since 2018. She currently works as a research assistant for the ARC-funded ‘Reimagining the Humanities through Indigenous Creative Arts’ (2023-2025) led by Chief Investigators Assoc. Prof. Ali Gumillya Baker, Prof. Simone Ulalka Tur, Assoc. Prof. Natalie Harkin, Dr. Faye Rosas Blanch, Dr. Romaine Moreton, Dr. Lou Bennett and Prof. Katerina Teaiwa. She also works on the Decolonial Possibilities, CHL Flagship project with Prof. Katerina Teaiwa. Aside from this Talei is a member of Youngsolwara Pacific, a board member of ICAN (International Campaign to Abolish Nuclear Weapons) Australia and the secretary of the Australian Association for Pacific Studies.

This project is presented by Blacktown Arts and supported by Blacktown City Council.

Image Credits:

The last coconut drifted with Morgan Hogg, 2025, photography by Garry Trinh

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